However, in our plastic research, we did not limit ourselves to this way of proceeding. The series of 4 portraits shows a format and a rectangular form of support that we keep constant, in which we vary the organization of the touches, of the coloured gestures.
In this way, we can see that from realistic to abstract painting, there is only a difference in attitude in the pose of the pictorial elements. It is in the continuity that we observe the phenomenon of abstraction taking place.
In addition, but still in this spirit of continuity of reading, we have pursued an analogous, but more complex approach than that of the portraits.